3091 East Shadowlawn Avenue NE., Atlanta, GA 30305
Hollywood of the South
Why Georgia became the Hollywood of the South and how it grew.
FilmLA announced that 17 featured films were shot in Georgia during 2016, which made GA the No. 1 filming location. United Kingdom came in second with 16 featured films, Canada in third place with 13 featured films and lastly California came in fourth place with 12 featured films.
Tyler Perry, "the most successful African American filmmaker in history", partnered with GSB Architects & Interiors in 2007 to design and build Tyler Perry Studios. This partnership made history for building the first major film studio owned by an African American.
In 2015, Tyler Perry purchased the former army base in Atlanta, GA, Fort McPherson. His new studio will be one of the largest studios in the country.
Crime Prevention in Educational Spaces Through Design
Design and the built environment can be used to reduce crime.
As professionals, related to the design industry, we not only have to think about the functionality, aesthetics, and materiality of a space, but also safety, and security. Any educational space from K-12 to Higher Education is defined by Sally Agustin in her book Place Advantage: Applied Psychology for Interior Architecture "as a good place to learn that shares certain physical and symbolic characteristics communicated through design to promote learning and education."
Today, with all the mass shootings happening in our world, when designing educational environments, we need to implement Crime Prevention measures through Environmental Design to prevent and discourage people from committing any crime or abuse by manipulating the built environment in which those crimes proceed from or occur.
Even more, the environmental psychologist Dak Kopec, in his book Environmental Psychology for Design, states that “most schools are conveniently accessible public territories that have relatively uncontrolled access which leave the learning environments open to theft, damage, violence, and bullying”. As a result, building art professionals need to keep in mind, when designing for these institutions, features such as visual connectivity to easily monitor any activity of strangers, the appropriate use of real or symbolic barriers to conceal or maintain sight lines, and clear delineation of a space, as well as the use of technology to enhance the security, and a proper space planning to increase surveillance and to detect any problem quicker.
- Agustin, S. (2009). Special Focus: Learning Environments. In Place Advantage: Applied Psychology for Interior Architecture (p. 221). Hoboken, New Jersey: John Wiley & Sons, Inc.
- Crowe, T. D., & Zahm, D. L. (1994). Crime Prevention through Environmental Design. NAHB Landscape Development Magazine. Retrieved from http://www.popcenter.org/Responses/closing_streets/PDFs/Crowe_Zahm_1994.pdf
- Gendall, J. (2017, December 14). This Is How Architects and Designers Are Reacting to Mass Shootings. Retrieved from Architecture + Design: https://www.architecturaldigest.com/story/mass-shooting-reactive-design
- Kopec, D. (2012). Learning and Education. In Environmental Psychology for Design (2 ed., p. 231). Canada: Fairchild Books.
Hospitality Design by 2020
"The Guests' of 2020 will be a sophisticated bunch"
March is IIDA’s Hospitality Forum Month, and our Interior Designer, Jennifer, wrote the following post for their forum.
Hospitality Design is continuously changing to meet the needs of their guests. Technology is one area in which the industry is trying to ensure their clients have what they need for their stay. Through the ever changing trends and latest inventions, the hotel industry strives to stay one step ahead.
“The Guests of 2020 will be a sophisticated bunch” states Dr Peter O’Conner. The predictions talked about during the seminar through his research show how Designers and the hotel industry can stay ahead of the trends, predicting what clients will need in the future. His graphics forecast where the hotel industry is headed.
Translucent 3D printed buildings facades with tunable ventilation, insulation, shading
3D printing turns digital 3D models into solid objects by building them up in layers. Each of these layers can be seen as an individual horizontal cross-section of the 3D object. This is referred to as additive process, where one layer is “printed” on top of the other to create the desired object.
As 3D printing technology continuous its evolution, it is destined to transform almost every major industry and change the way we live, work, and play in the future. And two of those industries are architecture and interior design.
The marriage of 3D printing and façade design has giving us the freedom to create shapes and forms that without this technology would have been close to impossible to devise in previous times. Together with the improvements in concrete and special printable mortars 3D printing structures have become more popular and attainable at larger scales.
However, the architects at the Technical University of Munich (TUM) have gone several steps forward to develop a 3D printable translucent facade called “Fluid Morphology.” This 3D envelop concept provides ventilation, insulation and shading. The name “Fluid Morphology” comes from the appearance of the façade elements that resemble a veil covering.
This façade is conceptualized using a modular technique. Each element or module, measures 60 centimeters wide and one meter high. And the perfect arrangement of all the modules together is what creates the look of a smooth fluent façade, as well as offering the functional attributes previously mentioned. The smart façade is encompassed by elements containing cells that create cavities filled with air, therefore providing insulation for the building. The shading feature of the façade is created by designing waves in the material, that allows the light to be diffused according to the location and orientation of the façade and/or building. Correspondingly, the ventilation facet of the design is established by the introduction of tubes embedded into the façade to provide air circulation from one side to the other.
Remarkably, the 3D printed façade it’s also weatherproof and very stable, as well as translucent and multi-functional. The micro-structured surface of the 3D printed plastic, allows sound waves to pass and reflect in certain ways acting as an acoustic component. These façade elements are made by using Fussed Deposition Modeling (FDM) 3D printing and a polycarbonate material.
The long-term goal is to have these 3D printable facade elements incorporated into buildings like museums, libraries, shopping centers, and assembly rooms, where specific conditions are required to optimize the quality of the spaces.